Eliza W. Farnham – Sing Sing Prison Matron

Eliza Wood Burhans Farnham, c. 1845

Eliza Wood Farnham
1815 – 1864

Writer
Activist
Abolitionist
Prison reformer
***Local Connection: Matron of Mt. Pleasant Women’s Prison (aka Sing Sing Prison)***

In a society that portrayed the ideal woman as submissive, pure, and fragile, Eliza W. Farnham created her own concepts of female identity. Her theories and actions, occasionally contradictory, offered alternatives to women who felt confined by the limited roles prescribed by their culture. As Catherine M. Sedgwick, a contemporary writer and friend wrote of her “She has physical strength and endurance, sound sense and philanthropy . . . [and] the nerves to explore alone the seven circles of Dante’s Hell.”

Born in Rensselaerville, New York, Eliza Burhans’s early childhood was marked by the death of her mother and abandonment by her father.  Growing up with harsh foster parents, she became a self-sufficient, quiet autodidact, reading anything and everything she could get her hands on.

At 15, an uncle would retrieve her from the foster home, reunite her with her siblings and arrange for her to go to school.  By 21, she had married an idealistic Illinois lawyer, Thomas Jefferson Farnham, and set off with him to explore the American West. 

Eliza would have three sons in four years, though only one would survive childhood.  Thomas and Eliza would write up their observations of the West — he would become a popular travel writer of the day, and she would publish her memoir, Life in Prairie Land, in 1846.

In 1840, the Farnhams returned east and settled near Poughkeepsie, New York, where Eliza became deeply involved in the intellectual and reform movements of the day.  An early feminist who believed that women were superior to men, Eliza wrote articles in local magazines against women’s suffrage, believing that women could have a much greater impact as mothers and decision makers in the home.  (However, in their 1887 History of Woman Suffrage, Elizabeth Cady Stanton and Susan B. Anthony would write that Eliza’s attitudes evolved and that she ultimately saw the necessity of and supported women’s suffrage.)

Eliza also became interested in prison reform at the time, and in 1844 sought and was appointed to the position of Matron of the Mt. Pleasant Female Prison, at the time infamous for its chaos, rioting and escapes, to prove that kindness was a more effective method of governance than brutality. 

The Mt. Pleasant Female Prison, built in 1839, was a department of Mount Pleasant State Prison (today’s Sing Sing)
Courtesy of the Ossining Historical Society and Museum

She instituted daily schooling in the prison chapel and started a small library that allowed each woman to take a book to her cell to read (making sure that there were picture books available for those who couldn’t read.)  She also believed that lightness and cheer were more conducive to reformation, and placed flowerpots on all windowsills, tacked maps and pictures on the walls, and installed bright lights throughout.  She spearheaded the celebration of holidays, introduced music into the prison, and began a program of positive incentive over punishment.  Finally, she fought to improve the food served to the women and ended the “rule of silence”, believing that “the nearer the condition of the convict, while in prison, approximates the natural and true condition in which he should live, the more perfect will be its reformatory influence over his character.” [1]

It must be said that her methods were deeply influenced by the now-discounted “science” of phrenology which looked at the correlation between skull shape and human behavior, giving a biological basis for criminal behavior (not, as many religious people believed then, sheer, incorrigible sinfulness.)  Eliza would even edit and publish an American edition of a treatise by the English phrenologist Marmaduke Blake Sampson, under the title Rationale of Crime and its Appropriate Treatment[2]

This phrenological poster ostensibly shows how to interpret bumps on the skull to predict and understand observed behaviors.
Courtesy of the Library of Congress

Although the mayhem that had plagued previous matrons was significantly reduced, Eliza’s approach was viewed as simply coddling the prisoners. This led to conflicts with several staff members, including Reverend John Luckey, the influential prison chaplain. By 1848, a change in the political landscape installed new prison leadership and she was forced to resign. 

She would move to Boston, to work at the Perkins Institute for the Blind until her explorer-husband died unexpectedly while in San Francisco.  Eliza went to California both to settle his estate and execute a plan assisting destitute women purchase homes in the West to achieve financial independence.  Though that initiative was not successful, Eliza herself bought a ranch in Santa Cruz County, built her own house, and traveled on horseback unchaperoned, among other scandalous things she would detail in her 1856 book California, In-doors and Out.

In 1852, she entered into a stormy marriage with William Fitzpatrick, a volatile pioneer. During this period, she had a daughter, who died in infancy, worked on her California book, taught school, visited San Quentin prison, and gave public lectures.

Divorcing Fitzpatrick in 1856, she returned to New York and began work on what is arguably her most significant work, Woman and Her Era.  In it, she would glorify women’s reproductive role as a creative power second only to that of God.  She further contended that the discrimination women experienced and the double-standard of social expectations stemmed from an unconscious realization that females had been “created for a higher and more refined existence than the male.”[3]

So, her initial disdain for women’s equality and suffrage stemmed from her unique feminist philosophy that ironically saw women as superior due to their reproductive function, historically something that had always defined female inferiority. Thus, in her world view, why should women lower themselves to the level of men to achieve “equality”?

It’s a fascinating way to look at the world, no?

Eliza would give numerous lectures on this topic before returning to California and serving as the Matron of the Female Department of the Stockton Insane Asylum. 

In 1862, she would work towards a Constitutional Amendment to abolish slavery and, in 1863, answer the call for volunteers to help nurse wounded soldiers at Gettysburg.  

She died of consumption a year later, likely contracted during her Civil War hospital work.

She is buried in a Quaker cemetery in Milton, New York.

Major Publications:

Life in the Prairie Land (1846) A memoir of her time on the Illinois prairie between 1836 and 1840.

California, In-doors and Out (1856) – A chronicle of her experiences and observations in  California. 

My Early Days (1859) An autobiographical novel describing Farnham’s life as a foster child in a home where she was treated as a household drudge and denied the benefits of a formal education. The fictional heroine reflects Farnham’s own character as a tough, determined individual who works hard to achieve her goals, overcoming all obstacles. 

Woman and Her Era (1864) Farnham’s “Organic, religious, esthetic, and historical” arguments for woman’s inherent superiority.

The Ideal Attained: being the story of two steadfast souls, and how they won their happiness and lost it not (1865) This novel’s heroine, Eleanora Bromfield, is an ideal, superior woman who tests and transforms the hero, Colonel Anderson, until he is a worthy mate who combines masculine strength with the nobility of womanhood and is ever ready to sacrifice himself to the needs of the feminine, maternal principle.

SOURCES  

James, Edward T., et al., editors. Notable American Women, 1607-1950 : A Biographical Dictionary. The Belknap Press of Harvard University Press, 1971.

Wilson, James Grant, et al., editors. Appleton’s Cyclopaedia of American Biography. D. Appleton & Co., 1900.


[1] NYS Senate Report, 70th Session, 1847, vol. viii, no.255, part 2, p. 62

[2]Notable American Women, 1607-1950 : A Biographical Dictionary.

[3] Farnham, Eliza W. Woman and Her Era

Lorraine Hansberry – Playwright, Civil Rights Activist

Lorraine Hansberry, c. 1964

Lorraine Hansberry
1930 – 1965

Playwright
Author
Civil Rights Activist
***Local Connection: Bridge Lane, Croton-on-Hudson***

Lorraine Hansberry was born in Chicago, IL to Carl August Hansberry, a successful real estate speculator (known as “The Kitchenette King of Chicago”) and Nannie Louise Perry, a teacher. 

When Hansberry was 8, her parents purchased a house in a white neighborhood, but faced intimidation and threats from the residents who tried to force them to leave. Hansberry remembered rocks being thrown through their windows, and her mother prowling the house after midnight carrying a German Luger pistol when Carl Hansberry was away on business.

Illinois courts upheld the ongoing eviction proceedings and found that by purchasing their house, the Hansberrys had violated the “white-only” covenant of that subdivision. However, Hansberry’s father took the case all the way to the United States Supreme Court and won. 

This experience would inspire Hansberry’s most famous play A Raisin in the Sun.

In 1950, Hansberry moved to New York City to pursue a career as a writer.  Landing first in Harlem, she began working for Paul Robeson’s Black, radical newspaper Freedom, a monthly periodical.

At Freedom, she quickly rose through the ranks from subscription manager, receptionist, typist, copy editor to associate editor, along the way writing articles and editorials for the paper.  It was during this time that she wrote one of her first theatrical pieces, a pageant for “The Freedom Negro History Festival” that would feature Paul Robeson, Harry Belafonte and Sidney Poitier, among other luminaries.  

In 1953, she married Robert Nemiroff, a book editor, producer, and composer of the hit single “Cindy, oh Cindy.”  They moved to 337 Bleecker Street in Greenwich Village and it was here, in 1957, that she wrote her semi-autobiographical play A Raisin in the Sun.

It took the producers nearly two years to raise the funds, as investors were wary of backing the first play of an unknown 26-year-old Black woman. Premiering in New Haven, Connecticut, A Raisin in the Sun opened on Broadway in March 1959 and was the first Broadway show to be written by Black woman and the first to be directed by a Black man (Lloyd Richards.)  Starring Sidney Poitier, Ruby Dee and Claudia McNeil, the production was nominated for four Tony Awards.  The original production ran for 530 performances – a remarkable feat in those days and would make a successful transfer to the big screen in the 1961 movie written by Hansberry and starring most of the Broadway cast. Today it is a staple of high school and college curricula and is considered one of the greatest American plays of the 20th century.  It continues to be produced all over the world.

After the success of A Raisin in the Sun, Hansberry purchased a townhouse in Greenwich Village.

Soon after, she would purchase a house in Croton-on-Hudson. Ironically calling her Bridge Lane home, “Chitterling Heights,” it became her escape from the city, her writing studio, and a place where Black artists and progressives (such as Langston Hughes, Alex Haley, and Ruby Dee) would gather.

Lorraine Hansberry’s house on Bridge Lane, c. 2018

Hansberry’s Broadway success catapulted her into the whirlwind of popular intellectual discourse, and she used her newfound fame to speak out on things that mattered to her.  She became a star speaker, dominating panels, podiums and television appearances.  Her quick wit and provocative stances made her popular with the media as she could always be counted on for spirited discussion.  

She was deeply involved in the Civil Rights movement, appearing at numerous events and meeting with political leaders:

Hansberry with Nina Simone at a Student Non-Violent Coordinating Committee event, 1963.
Courtesy of the New York Public Library

By 1963, as one of the intellectual leaders of the civil rights movement, Attorney General Robert F. Kennedy would meet with her, James Baldwin, Lena Horne, Harry Belafonte and others for advice on civil rights and school desegregation initiatives.  (Read a May 25, 1963 New York Times article about this meeting here.)

In 1964, Hansberry was integral in organizing and participating in one of the first fundraisers in the New York City area for the civil rights movement, held at Croton’s Temple Israel.   (The 1963 Birmingham church bombings catalyzed many on the East Coast.)  

She was the MC of the event, and brought in other like-minded celebrities, including Ossie Davis, James Baldwin, and Judy Collins. They raised over $11,000 for organizations like the Congress of Racial Equality – Freedom Summer voter registration project (CORE), the Student Non-violent Coordinating Committee (SNCC) and the NAACP.

Some of the money raised went towards the purchase of a Ford station wagon that Freedom Riders James Chaney, Andrew Goodman, and Michael Schwerner were driving the night they were murdered by the Ku Klux Klan in Philadelphia, Mississippi.

Unofficially separated for several years, Hansberry would divorce Robert Nemiroff in 1964, though they remained close collaborators and business partners to the end of her life.  Nemiroff produced her final play, The Sign in Sidney Brustein’s Window, which opened on Broadway in October 1964.

In January 1965, Hansberry would die from pancreatic cancer at the age of 34, two days after The Sign in Sidney Brustein’s Window closed.  

She is buried in the Bethel Cemetery in Croton-on-Hudson, New York.

CODA:

“You are young, gifted, and black. In the year 1964, I, for one can think of no more dynamic combination that a person might be.”

The above quotation comes from a talk Lorraine Hansberry gave to six teenage winners of a Readers’ Digest/ United Negro College Fund writing contest. In 1968, ex-husband and literary executor Robert Nemiroff would compile many of Hansberry’s unfinished and unpublished works into an off-Broadway play called Young, Gifted and Black.  This in turn would be adapted into a posthumous autobiography of the same name published in 1969.  

Singer/Songwriter Nina Simone would be inspired to write and record a song with that title and in 1972, singer Aretha Franklin would release an album of the same name.

There have been numerous productions of her seminal play A Raisin in the Sun – on Broadway and off-, internationally, in regional theaters, on television and film. In 1973, a musical version of the play, called Raisin won the Tony Award for Best Musical. In 2010, playwright Bruce Norris wrote Clybourne Park which tells the story before and after the events of A Raisin in the Sun and in 2013, Kwame Kwei-Armah wrote Beneatha’s Place which imagines what happened to the character of Beneatha after the events of A Raisin in the Sun.

It is a play and a story that continue to inspire.

Yet, it took until 2013 for Lorraine Hansberry to be inducted into the Theatre Hall of Fame:

Finally, today, in addition to her other accomplishments, Lorraine Hansberry is now being hailed as a figurehead of the LGBTQ movement. However, this is a little tricky, as Hansberry was not out during her lifetime.  For five decades after her death, ex-husband and literary executor Robert Nemiroff restricted access to any of Hansberry’s writings that explored her sexuality. It wasn’t until 2013 that researchers were allowed to see these previously hidden articles, letters, and journal entries. Since then, Hansberry has emerged as a queer icon. Her published works from this cache, often signed only with her initials, reveal a thoughtful and progressive thinker, while her private writings offer a new perspective on this multifaceted artist.

Carrie Chapman Catt – Suffragist Leader

Carrie Chapman Catt, c. 1914
Courtesy of the Library of Congress

Carrie Chapman Catt
1859 – 1947

Suffragist Leader
President, National American Women’s Suffrage Association
President, International Women’s Suffrage Association
Founder, National League of Women Voters
Founder, National Committee on the Cause and Cure of War
****Local Connection:  Juniper Ledge, North State Road
****

Carrie Chapman Catt (née Lane) was born in Ripon, Wisconsin in 1859. Unusually for that time and place, she went to college (Iowa State Agricultural College) and earned her Bachelor of Science degree in 1880. She became a teacher, a principal, then Superintendent of her Iowa school district. 

Carrie Lane at the time of her 1880 graduation from Iowa State Agricultural College
Courtesy Digital Collection, Iowa State University Park Library

In 1880, she married husband #1, Leo Chapman, editor of the Mason City Republican, who held extremely progressive ideas for the time, but died of typhoid fever within a couple of years. In 1885, she married husband #2, George Catt, a wealthy engineer and fellow Iowa State alum. He apparently was quite supportive of her involvement in the fight for women’s rights.

The Constitutional Amendment to give women the right to vote was first proposed in 1878.  Catt became involved with the fight soon after.  By 1890, she was president of the Iowa Women’s Suffrage Association, running it with great skill. From there, Catt came to the attention of Susan B. Anthony, the Grande Dame of suffragists, who, in 1900, anointed Catt as her successor as President of the National American Women’s Suffrage Association (NAWSA).  Catt was its President when the Nineteenth Amendment was passed in 1920, recognizing women’s right to vote.  

May 19, 1919 – Joint Resolution proposed by Congress to amend the US Constitution and giving women the right to vote.
3/4ths of the States needed to vote to ratify this amendment and they did, allowing this to become the law of the land on August 26, 1920
Courtesy National Archives

Arguably, it was Catt’s stewardship and steady hand that helped unite all the different factions and finally win the vote for women. 

Catt would purchase Juniper Ledge, her home in Ossining, in 1919 and live there until 1928 with her companion Mary Garrett Hay:

Mary Garrett Hay (1857 – 1928)
She and Carrie Chapman Catt lived together from c. 1900 under Hay’s death
Courtesy of the University of Rochester

 The story goes that the estate was called Juniper Ledge because of its abundance of juniper trees.

Juniper Ledge, Ryder Road, Briarcliff Manor, c.2014
Today this structure is on the US National Register of Historic Places
Image originally published in Queer Places: Retracing the Steps of LGBTQ People Around the World by Elisa Rolle

In a 1921 New York Times article detailing a picnic she hosted for 100 members of the League of Women voters, Catt is quoted as saying “I know that the juniper is useful in making liquor, and that is why I bought the place – so no one would have opportunity to use the trees for that purpose.”  She served her guests coffee and orangeade.

According to another New York Times article, this one from 1927, Juniper Ledge was quite impressive: “The estate is one of the show places of Northern Westchester, and includes sixteen acres of extensively developed land fronting on two roads. The residence, on a knoll overlooking the countryside, is a modern house of English architecture containing fourteen rooms and three baths. A gardener’s cottage, stables, a garage and a greenhouse are also on the property.”  Catt affixed brass plaques with the names of famous suffragettes to fourteen trees – and some of those plaques are reportedly in the archives at Harvard University.

From her Juniper Ledge home, she started the League of Women Voters in order to give women information to help them make informed voting decisions. She also was a big supporter of Prohibition, the League of Nations and its successor the United Nations, spending much of her time on crusades for world peace and international disarmament.

Catt sold Juniper Ledge in 1927 and purchased a home at 120 Paine Avenue in New Rochelle. Sadly, her companion Mary Garrett Hay died shortly after they moved.

Catt lived on, staying active right up until her death in 1947. She and Hay are buried in Woodlawn Cemetery in the Bronx. The inscription on their joint tombstone reads, “Here lie two, united in friendship for thirty-eight years through constant service to a great cause.” (Here’s Catt’s obituary if you want to learn more about her life.  It makes me tired just to read about all the things she accomplished.)

So, the next time you drive on North State Road, keep an eye out for this old driveway pillar and know that a very influential and historically important woman lived just up the hill.

CONTROVERSY

We would be remiss if we didn’t address the controversy that has swirled around the US women’s suffrage movement almost since its inception.

Some have perceived that it was a racist one, with white women keeping Black women on the fringes of the movement ostensibly to avoid antagonizing the Southern vote.

Carrie Chapman Catt would address these concerns in a speech she delivered in 1893: “If any say we would put down one class to rise ourselves, they do not know us. The woman suffrage movement is not one for woman alone. It is for equality of rights and privileges, and it knows no difference between black and white.”

However, by 1903, Catt and many of her colleagues would state that the national women’s suffrage movement was solely concentrating on removing the “sex restriction” for voting.  They seemed perfectly content to let the individual States to determine what, if any, qualifications were deemed necessary to allow women to vote.

And in 1919, Catt would continue to respond to such concerns, such as those from the NAACP who feared that Black women would not be allowed to vote in southern states if the proposed suffrage amendment did not include specific language to include all races, by repeating “We stand for the removal of the sex restriction, nothing more, nothing less.”[1]

This controversy re-emerged forcefully in 1995, right before Iowa State University (formerly Iowa State Agricultural College) was set to name a campus building in Catt’s honor.

In an article, published in the Uhuru! newsletter of the ISU Black Student Alliance entitled “The Catt’s Out of the Bag: Was She Racist?” sophomore Meron Wondwosen argued that Catt and other white suffragists employed racist strategies to gain Southern support for the ratification of the 19th Amendment. Wondwosen referenced examples of Catt giving lectures in Southern states and stressing that women’s suffrage would reinforce white supremacy, discouraging Black suffragists from participating in marches and rallies, and belittling immigrants and Black people.

After several years of research, reflection and discussion, Iowa State decided not to take her name off the building, saying:

“The crux of the matter is that while Catt made statements that are likely to be considered racist, there is also an abundance of declarations upholding and even defending other races. This duality and implicit contradiction is what makes the work of this committee very difficult—and it is what makes Catt such an ambiguous figure when it comes to questions of racism. It adds layers to Catt, her work, how she viewed the world, and how the world viewed her. These may begin to shed light on how compromises were made to achieve an ultimate goal.[2]

Several of the arguments for removing Catt’s name from Catt Hall were based on Barbara Andolsen’s 1985 book Daughters of Jefferson, Daughters of Bootblacks. Andolsen, a feminist theologian, documented some of the frankly bigoted tactics white suffragists used to win passage of the 19th Amendment. Despite this, however, Andolsen believed most suffragist leaders were “women of integrity” committed to gaining the vote for all women. She argued that these leaders didn’t condone segregation or manipulate racist ideologies out of bad intentions, but out of political necessity in a racist society.

In the 2020 PBS program Carrie Chapman Catt, Warrior for Women, historian Beth Behn explored why Catt, generally a progressive thinker and leader, used racism in the suffrage movement. Behn suggested that Catt felt a sense of urgency, fearing that the opportunity to secure a Federal amendment could close. Behn noted that other developed countries, like Great Britain and France, didn’t grant women suffrage until years later, reinforcing the suffragists’ urgency.

A life-long pacifist, Catt endorsed America’s entry into World War I in 1917 in order to gain President Woodrow Wilson’s support for women’s suffrage. She would spend the rest of her life working for peace and disarmament.

Food for thought . . .


[1] Carrie Chapman Catt, letter to John Shillady, Executive Secretary of the NAACP, May 6, 1919. 
[2] 2023 Catt Hall Review Final Report 2023, p. 27; https://iastate.app.box.com/s/rw7igjtl5iet6vb6s3xdu3yfkhqin9ck